design where form carries philosophy
GUNDAREV SERGEI
Polygraphy · Presentations · Identity
my expertise
everything i work with
Premium packaging and print that feel alive in your hands.
- Full cycle: concept sketches → material & finish selection (soft-touch, embossing, foil, spot UV, die-cuts) → 3D renders → print-ready files.
- Holiday & corporate gift sets, event merch, partner giveaways.
- Boxes, sets, cards, calendars — everything designed to create memorable unboxing moments.
Sales and corporate decks that actually close deals.
- From structure & storytelling to visual polish.
- Custom templates with premium feel (consistent branding, infographics, icons).
- Welcome kits, pitch decks, internal reports, certificates.
- Designed to look expensive and feel confident on screen or in print.
Character-driven branding that feels authentically yours.
- Logo + core visual system (color palette, typography, patterns).
- Style guide / brand book for consistent use across all touchpoints.
- Integration into packaging, print, digital & physical assets.
- Adaptable to different scales — from tiny labels to large signage.
Original hand-painted acrylic art for spaces and brands.
- Large-scale abstract and emotional compositions.
- Custom pieces that complement interior design or brand philosophy.
- High-quality acrylic on canvas — textured, vibrant, ready to hang.
- Art that adds depth, story, and human touch to any environment.
Mini interview
I've been on the schedule since 2020. I started with small freelance orders. Then, from the end of 2021 to the beginning of 2024, he worked as a 2D artist in game development.: characters, interfaces, environment, conceptualization — everything from the sketch to the final art.
There, I learned how to keep tight deadlines, digest edits, and produce results, even when we're on fire. This is still my main super skill — do not waste time, look for creative solutions and always bring it to the end.
There, I learned how to keep tight deadlines, digest edits, and produce results, even when we're on fire. This is still my main super skill — do not waste time, look for creative solutions and always bring it to the end.
Starting in the summer of 2022, he began taking orders for printing and packaging in parallel. At first, I got into small local brands and startups. Then he began to cooperate with large transport and government projects (under the NDA) — where everything is according to the brandbook, strictly and with a lot of approvals.
And I realized that the size of the company is not important. It is important that the person who makes the decision is passionate about his business and is ready to speak frankly with me.
And I realized that the size of the company is not important. It is important that the person who makes the decision is passionate about his business and is ready to speak frankly with me.
So that there is a synergy between "about them" and "my opinion".
I don't want to just do TK and I don't want to impose my "I'm an artist, I know better." Ideally, when the client openly tells what emotion he wants to evoke, what is "status" for him, what is "truly his own".
I listen, ask questions, and show him how to make it brighter, more tactile, and more alive than he imagined.
The result is not a compromise, but an enhancement: he opens the box or sees the logo and says: "That's right about us... but cooler than we thought." We are working for this moment.
I don't want to just do TK and I don't want to impose my "I'm an artist, I know better." Ideally, when the client openly tells what emotion he wants to evoke, what is "status" for him, what is "truly his own".
I listen, ask questions, and show him how to make it brighter, more tactile, and more alive than he imagined.
The result is not a compromise, but an enhancement: he opens the box or sees the logo and says: "That's right about us... but cooler than we thought." We are working for this moment.
When the client is silent for a second or two, then smiles and says: "That's right about us." Or when I touch the finished print myself in production and I feel: yes, this is it. For me, this is the main thrill — to see how pixels turn into a thing that you can pick up.
To do this, I use everything I have in my arsenal: my own techniques, stocks, AI, trends — the main thing is to make it live and meet the needs of the client.
To do this, I use everything I have in my arsenal: my own techniques, stocks, AI, trends — the main thing is to make it live and meet the needs of the client.
I paint acrylic paintings — this is my little passion, without which my main activity would not be what it is.
I am constantly learning: courses, books, reviews. I walk and train a lot, and my head works better.
I read, watch movies, play, and search for archetypes and hidden meanings.
I go to exhibitions, try new materials and techniques.
And most importantly, I try to keep my eyes open: the best insights come unexpectedly — from a casual conversation, details on the street, or an article I accidentally stumbled upon. I record and photograph them so that they can be reworked into a design or painting.
I am constantly learning: courses, books, reviews. I walk and train a lot, and my head works better.
I read, watch movies, play, and search for archetypes and hidden meanings.
I go to exhibitions, try new materials and techniques.
And most importantly, I try to keep my eyes open: the best insights come unexpectedly — from a casual conversation, details on the street, or an article I accidentally stumbled upon. I record and photograph them so that they can be reworked into a design or painting.
3 facts about me
- I do everything so that I want to touch it.
- I only work with those who care that it's "about them" and not just beautiful.
- 90% of clients come on the recommendation of those who are already tired of faceless design.
extra
Want to know more?
My design decisions
Experiments with traditional media
If you are ready to communicate
